Tag Archives: dave chalfant

Session #5: Matthew's Dining Room

Mr. Dave Chalfant is one class act. He packed up his van full of Nields-era recording equipment and hauled it to my house in Holyoke for session #5. Our mission was to lay down some sweet piano tracks using the Marantz piano in my dining room. In recent years, my wife had it moved up here from her hometown of Palmyra, Pennsylvania, as it was her childhood piano. After the tuning efforts of Sean Mallari, Registered Piano Technician, it’s been sounding great ever since.

We recorded over fake scratch piano tracks with real piano tracks on a bunch of songs: Committed To Tape, Mirror, Storm Of The Century, Fourth Floor, and Pulverized. I also recorded a piano track for The Gatekeeper.

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Session #4: Sackamusic

Northernly was a band I was very involved in during 2005 and 2006 with Aric Bieganek and Rebekah Dutkiewicz. We played a large number of house concerts and at venues all over the northeast, and a ton of songs came out of that timeframe as well.

We got together for a bite at Local Burger in Northampton, then carpooled it up to Conway Rock City. Rebekah, Aric and I hadn’t played music together in almost a year, but you’d never know it listening to the two songs we worked on: Pulverized and Fourth Floor. Aric tracked drums and glockenspiel and Rebekah did some cello parts that sound fantastic. I’m sure the future Northernly incarnation sessions will yield similiarly great results.
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Session #3: Sackamusic

For night number three, Greg and I headed up to Conway Rock City after a brief stop at Bueno Y Sano in Northampton for a quick bite. I recorded some scratch piano and vocals for all three songs we worked on this week: Committed To Tape, Storm Of The Century, and Mirror. Greg added some kick ass guitar parts. That along with Dave and Greg’s bass playing makes the songs sound fantastic.

Actually, none of these songs have any arrangements for acoustic guitars yet, only electric.  The result is a a bigger rock sound than I’ve had on previous recordings, which I’m pretty jazzed about.
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Session #2: Sackamusic

It was a beautiful day to head up to Conway Rock City for our second night of recording. Greg, Steve and I recorded some drums for Mirror after a bunch of takes. It’s a waltzy little number that I wrote many years ago. Greg saw Steve and I perform it way back when we were doing Smokejumpers shows, and now he’s playing on it. Fun times. Steve, Greg, and Dave Chalfant worked out some fantastic bass parts for Committed To Tape and Storm Of The Century, I sang a scratch vocal for Committed To Tape, and Greg added some guitar shit too. Oh, and we even had time to rehearse Kindred a bit. All in all it was a really productive evening.

Greg and I took some pictures of the goingson…

Session 2: Sackamusic
 


Sackamusic Session #1 starts tonight

photo by kristen beam

photo by Kristen Beam

Tonight I’m heading up to Sackamusic in Conway, MA to start recording with Dave Chalfant. I’m taking Steve Biegner and Greg Saulmon and we’re going to be working on a few songs. It marks the first real (not reel) recording for the forthcoming album.

It somehow seems fitting to be starting this a day after my birthday and opening yet another new chapter in my crazy life. In a phone call yesterday, my dad and I discussed whether or not I thought I was “cured”. I told him I try not to think about it, which is true. Actually, I probably won’t ever be able to answer this question. This fact tends to insert itself into almost every one of my songs in one way or another.

It’s been about 8 or 9 years since I made the last record. I am reminded of how I got to this point, and if I pile up all those circumstances it’s a little overwhelming. But with that, it’s exhilerating too.

I intend to have a lot of fun. To use a Massachusettsism, I’m “wicked excited”.

Starting the new record

I went up to meet with Dave Chalfant to discuss my forthcoming album a few weeks ago. Dave’s studio is in Conway, Massachusetts, on top of a hill, up a bunch of dirt roads and things. It’s in a place where you can see the stars at night.

marantzI thought I’d have time to stop and get my headlight bulb replaced, except I got stuck in some traffic on I-91, so there wasn’t enough time. I wound up driving through the dark, hilly, woods to Conway with one headlight like that Wallflowers song. The snowbanks were so high I felt like my car was on a bobsled track.

I told Dave all my ideas for making a record… what I liked and didn’t like– why I wanted to do this. He calmly nodded and seemed to understand what I was going for. We both were pretty jazzed about the project. I told him about the grant I received from The SAMFund, and how it is somewhat bittersweet, and how I want to to my best to honor it.

The SamFUND is an organization that I learned more about when I played a benefit concert at PACE in Easthampton, Massachusetts. It was in honor of Andrea Coller, a local musician who passed away last April. I performed one of Andrea’s songs, “Call After Midnight”, and one of my own, “Kindred”. In between I talked about my own experience with cancer, and how heartbreaking it was to know that Andrea dealt with a lot of the same things– and worse, before she passed away. Even though we were only casual aquaintances at best, it was just really really difficult to process. But it reminded me how vastly important songwriting and music is– how it contributes to the world and how cathartic it is.

After I performed “Kindred”, I left the stage and pretty much lost it. Sam came backstage, introduced herself, and hugged me. We talked about how much cancer totally sucks. I told her about how much music meant to me, and how over the past number of years, between being sick, trying to restore my normal life again, and land on my feet financially, it wasn’t in the cards for me to make a record. She encouraged me to put a proposal together, write an essay, and apply for a SAMFund grant.

Initially, I felt enormously guilty about it. I kept thinking that there were more deserving people, that I’d be able to make a record one day down the line, I just had to make some sacrifices and save for a number of years first. Besides, I still had some other medical expenses I had to pay off– it was kind of silly to to make a record when I still had debts to pay. But I was encouraged by Sam, my wife Kristen, family and friends. And the more I thought about it, the more I began to see this as a responsibility to myself. I’m truly so tired of putting things off. I had to do that for a good portion of my twenties. Cancer can suck an egg, really. If I didn’t this now, then when?

I submitted a proposal, toiled over and sent in my essay. I wasn’t really confident I would get picked. When I did, I was truly honored. I couldn’t believe it, really. This was really going to happen. I was elated. But I wasn’t prepared for what I would learn next.

From The SAMFund:

In honor of her life, the The SAMFund has established the Andrea Coller Memorial Award, to be given to individuals who share Andrea’s passion and strength of spirit. Andrea’s friends and family will be involved in the selection process.

Sam called me while I was at work to tell me that Andrea’s family and friends selected me to be the first recipient of the Andrea Coller Memorial Award. Even just typing that now, I still can’t quite believe it. When I found out, I was in absolute awe. I somehow had to return to work and finish the work day and process what this all meant.

I won’t ever be able to express my gratitude or how humbling it is to know that Andrea’s family and friends think that I’m deserving of this. All I can do is honor it, and pour my heart and soul into making this record. And everything is starting to come together. I’ve been working with other musicians to work out some arrangements. I’m sending things to Dave Chalfant at Sackamusic. I’m writing and re-writing things. I have all these ideas. And I’m so grateful that I get to do this.

This is all really happening.